12 research outputs found

    Relating production and perception of L2 tone

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    Transphonologization of voicing in Chru:Studies in production and perception

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    Chru, a Chamic language of south-central Vietnam, has been described as combining contrastive obstruent voicing with incipient registral properties (Fuller, 1977). A production study reveals that obstruent voicing has already become optional and that the voicing contrast has been transphonologized into a register contrast based primarily on vowel height (F1). An identification study shows that perception roughly matches production in that F1 is the main perceptual cue associated with the contrast. Structured variation in production suggests a sound change still in progress: While younger speakers largely rely on vowel height to produce the register contrast, older male speakers maintain a variety of secondary properties, including optional closure voicing. Our results shed light on the initial stages of register formation and challenge the claim that register languages must go through a stage in which breathiness or aspiration is the primary contrastive property (Haudricourt, 1965; Wayland & Jongman, 2002; Thurgood, 2002). This article also complements several recent studies about the transphonologization of voicing in typologically diverse languages (Svantesson & House, 2006; Howe, 2017; Coetzee, Beddor, Shedden, Styler, & Wissing, 2018)

    On the r>h Shift in Kiên Giang Khmer

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    This paper presents an acoustic and perceptual study of the r>h shift in the variety of Khmer spoken in Giồng Riềng district, Kiên Giang province, Vietnam. In Phnom Penh Khmer, /r/ is realized as [h] in syllable onsets and onset clusters, and accompanied by lowered pitch, breathiness, and in some cases a change in the quality of the following vowel. In Kiên Giang Khmer, the r>h shift is accompanied by pitch lowering, but without changes in aspiration or vowel quality, and spectral measures did not indicate substantial differences in voice quality. Consistent with their productions, users of this dialect appear to rely solely on differences pitch to identify these lexical items. We discuss the implications of our findings for Khmer dialectology, mechanisms of sound change, and variation in the realization of rhotics more generally
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